Monday, 30 July 2012

Taking us back to the start!


Hello everyone! 
Fran here, co-writer. This is my first ever bash at blogging so here goes… 

I want to begin by talking a bit about the script development that Kristina and I embarked on back in January. Here we are having a break from writing to create our own snowy Miss Todd!



Starting out with three very different stories, we quickly came to realise it was Miss Todd’s tale we had to tell. Delving deeper into our research we soon discovered two other characters that were demanding to be involved. They were American philanthropist Mrs Russell Sage and French pilot Didier Masson. It is worthy of note that these central three characters are all historical figures and that only Grandpa Joe is a creation of our imagination.

In our research we stumbled across some fantastic little tales about our characters. One of the most surprising was discovering just how horrible Mrs Sage’s husband must have been. An exceptionally wealthy man, he died when his wife was 78, leaving her with $1.5 billion. But before his time was up, he rubbed one individual up quite the wrong way.

It was just a normal day in the office for Mr Sage before a man with a homemade bomb burst in. The old man reacted with sinister speed, using his assistant as a human shield. The employee was seriously wounded and would later take the billionaire to court when he refused to pay him adequate compensation. The skinflint must have rolled over in his grave when his wife began fervently donating her inheritance to various charities a few years later.

We also discovered more about Didier, who lived a colourful life as a pioneering aviator, barnstormer (performer of stunt tricks) and war hero. While fighting in World War One, his plane’s engine cut out during battle. However Didier not only managed to save himself, while taking down his German foe but also miraculously survived enemy artillery fire raining down upon him. After a glamorous post-war period as a performing pilot he died in poverty in Mérida, Yucatan, Mexico in June 1950.

Shown below are Mrs Olivia Sage, Miss Lilian Todd and Didier Masson:



We were off to a roaring start. Our detailed character biographies in place and the creation of lovely Grandpa Joe, who we decided would raise Miss Todd alone in their eclectic home of inventions, we began to carve our story around the factual 1910 Mineola Aviation Meet. This was the day when Didier Masson flew Miss Todd’s plane that was sponsored by Mrs Sage:  A perfect bringing together of these three peoples’ worlds.

A quote from the New York Herald, Nov 8, 1910

“A good sized crowd was on hand to witness the first attempt to fly the biplane. Mr. Didier Masson was the aviator. He ran the machine across the ground, then went to the air for twenty feet and made a turn at the far end, returning to the starting place, where he was enthusiastically received by Miss Todd and the crowd.” 

Seen below is a slightly blurry Didier and Miss Todd sat in her flying machine:




We had our characters, location and a burning sense of injustice that Miss Todd, because of her gender, had not been allowed to fly her own plane. We then set about to make our own version of history… and much fun was had in the process! TBC soon!

For now,

Frances Poletti
Writer

Thursday, 26 July 2012

Welcome!

Welcome to the Miss Todd blog!

Miss Todd is a stop-motion, musical animation about the first woman in the world to build and design airplanes, and our animation graduation film being made at the National Film and Television School. We started out talking and throwing ideas around in January, and by February were writing our first drafts of the script. March was a fun month of development and research, including a trip up into the stratosphere. How could we make a film about flying having never flown in a plane that feels like a plane and not a bus?


Pictured above is Isona Rigau, our Production Designer, and Frances Poletti (Writer) and Chris Duncalf (Our Pilot!), back on the ground after an absolutely fantastic research trip.


The view from the sky was absolutely fantastic! We were lucky enough to be flying on a beautiful day and with a very knowledgeable pilot, Chris Duncalf, who gave us a comprehensive talk about how airplanes work, and how they would have worked back in Miss Todd's day. Somewhat terrifyingly, Chris let me momentarily take the controls and fly the plane! It was thrilling and certainly nerve-wracking! In a plane that size, you can really feel every move that you make with the controls. My favorite part of the journey was probably when Chris explained that planes are engineered to fly, so even without the engine, a plane will still glide. To demonstrate this, Chris powered down the engine, leaving us hanging in the air in eerie silence! The plane did, however, stay in the air. 

Having flown and seen the airfield, we began planning the set-build based on the script that Fran and I were writing. We realized that the set that would occupy the most screen-time - the airfield - would also be the most challenging. Planning out every set with mock-up models, we formulated for building the sets and shooting on them. Nick, our cinematographer, did many tests to see what would work with our technique. 


Pictured above is Nick Cooke, Cinematographer, Isona Rigau, Production Designer, and myself, looking at a mock-up of the set and planning shots. We are in the edit suite, where Michele Chiappa and I were also working on the animatic. Having the mock-up sets helped us to plan the shots and visualize what the film would look like. Look at those beautiful stairs!!! They are even more beautiful now that they are really built!

More to come soon on the progress of Miss Todd!

Kristina Yee
Director